Virtuosos Becoming a Dime a Dozen

An article in the NYT covered the breathtaking technical and interpretative skills of the current crop of concert pianists and young classical musicians in general (Virtuosos Becoming a Dime a Dozen). I submitted the following response:

Sir:

Interesting article. Indeed, when I studied clarinet in the early 60s, it was unusual to encounter a fellow 16-year-old playing the Nielsen concerto, much less the Francaix. As I approach my mid-sixties, I find the solo piano works of Liszt, the entire output of Paganini, and arrangements of Flight of the Bumblebee for inappropriate instruments (contra bass, theremin, etc) to be simply irritating. Musicians push the envelope to pay the bills. The results may stink to the ear.